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مسجد و خانقاه الأمير شيخو



بسم الله الرحمن الرحيم
  
THE MOSQUE AND THE KHANQAH OF AMIR SHAYKHU (1349, 1355)



The mosque and khanqah of Amir Shaykhu, a leading amir under Sultan Hasan, face each other on Saliba Street with similar facades and minarets, giving the complex an interesting appearance. Six years separate the foundation of Shaykhu's mosque from that of the khanqah. The architectural combination appears today as unique, but at one time it was not. A few years earlier (1340), Amir Bashtak built a mosque and a khanqah facing each other across a street, with a bridge connecting them. The complex of Amir Manjaq al-Silahdar near the Citadel (1349) also consisted of a mosque on one side of the street and a khanqah on the opposite side, of which only ruins remain. Some complexes in the cemetery, such as those of Barsbay, Qaytbay, and Qurqumas, were also composed of structures on both sides of the street.

THE MOSQUE: THE EXTERIOR
The lintel and threshold of the mosque are taken from ancient Egyptian temples. A stalactite portal surmounted by the minaret leads to the vestibule. The minaret is octagonal throughout and has a special feature: rather than stalactites underneath the balconies, it is decorated with carving consisting of horizontal moldings at the first balcony and vertical ribs at the upper balcony. The vertical ribs are similar to those at the top of Qalawun's minaret, added by his son al-Nasir. Creswell compared this pattern to ancient Egyptian reed motifs. Only one other minaret in Cairo that of Manjaq al-Silahdar, has this type of decoration. Except for their transitional zones and some details in the carved arabesques of the shaft's first story, the two minarets are identical. Their bulbs are carved in an almond-shaped pattern and Quranic inscriptions encircle the necks of the bulbs. The facade of the mosque has a small ribbed mausoleum dome next to the minaret. The entrance to the mausoleum is from the vestibule; the entrance to the mosque, also from the vestibule, is bent. In the vestibule are pieces of polished black stone in the walls that must have served as mirrors.

THE INTERIOR
The mosque of Shaykhu was severely damaged when the last Mamluk sultan, Tumanbay, hid there durin battles between the Mamluks and Ottoman conquerors. Some parts were burned, including a dome that was above the prayer niche. Little of the original decoration has survived. The prayer niche is paneled with marbles of no special interest; it may have been restored during the Ottoman period. The lower part of the prayer niche has seventeenth-century Tunisian tiles. The plan of the mosque is hypostyle, though it differs from the plan typical of its time in having only two riwaqs or arcaded halls. On the lateral sides are recesses facing the courtyard with a double arch supported by one column. Thus, the features of the classic hypostyle plan are combined with the cruciform pattern. The prayer hall is not a regular rectangle, but follows without accommodation the shape of the ground space available. The pulpit of the mosque is made of stone and though most of its decoration has disappeared, what remains shows the style of Sultan Qaytbay's reign. A similar, and better preserved, example is that at the khanqah of Faraj Ibn Barquq. The dikka, or bench used for recitations, is also made of stone rather than the usual wood or marble. It is covered with carvings different from those of the pulpit and is dated A.H. 963 (1555/6).

THE KHANQAH (1355)



The portal and minaret are repetitions of the patterns used in the mosque facade six years earlier. Ancient Egyptian stones are also used here for the lintel and the entrance threshold. The vestibule leads through a bend to the khanqah, whose plan differs from that of the mosque in having several stories of living units for the Sufis surrounding the courtyard on three sides. The prayer hall is hypostyle and has a prayer niche whose only decoration is the ablaq masonry in the conch. The plan follows the street alignment and is thus irregular, making the interior of the sanctuary a trapezoid instead of a rectangle. Shaykhu was buried at the corner on the northeastern or street side rather than in the mausoleum he had attached to the mosque, and the first shaykh of the khanqah is also buried there. In the Ottoman period, wall paintings representing the Kacba in Mecca were added to this part of the sanctuary. The fourth (north) side on the street, has a small Iwan and is very irregular. In fact, it seems to have functioned primarily as a screen wall between the street and the interior. Its ground plan is triangular. This gave the courtyard a regular rectangular plan, unlike the sanctuary.
There is a bulbous wooden dome in front of the prayer niche which may or may not be original. The beautiful ceiling paintings in blue and white were done in the eighteenth century, as an inscription notes.
A foundation inscription slab, originally at the entrance but now in the sanctuary, is interesting in that it gives the founder's name without the usual series of titles and attributes. Only the phrase, "the humble servant of God," is used, suggesting that Shaykhu considered himself a Sufi. The text further implies that the
khanqah was also intended to house pilgrims on their way to Mecca, for interestingly, the text of the inscription on the khanqah minaret is from the sura referring to pilgrimage. The khanqah of Shaykhu, according to Maqrizi, included the teaching of theology and the four rites of Islamic law, making it equivalent to a madrasa.
To the south of the sanctuary is a qaca or reception hall, today in very dilapidated condition though its plan is recognizable. Sufi foundations often had residential structures attached where the founder spent time with the Sufis in order to receive their blessings.

THE LIVING UNITS



The cells surrounding the courtyard of the khanqah are supplemented by a large complex of three-storied cells on the south side of the building that overlooked a passage between them and the khanqah. According to Maqrizi, the khanqah originally covered an area of one feddan, or over four thousand square meters. Attached to the khanqah were two public baths, shops, and living units, providing income for the upkeep of the foundation. The Sufis attached to the foundation were given bread, meat, oil, soap and sweets. This was one of Cairo's largest pious foundations.



Reference:
Book "Islamic architecture in Cairo an introduction"

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